Since as far back as the Revolutionary War, LGBTQ service members have been discriminated against in various ways by the United States military. On this episode of the StoryCorps podcast, we bring you stories from veterans who were kicked out of the service, as well as some who stayed in the closet to keep their jobs.
First, we’ll hear from Sue McConnell (above left) and Kristyn Weed, who both served during the Vietnam-era and came out as trans after leaving the military.
Next, we’ll remember Technical Sergeant Leonard Matlovich, who received national attention for outing himself as gay in 1975 while serving in the Air Force.
Lastly, Air Force veteran Jeri Dilno and Navy veteran Joseph Patton take us back to the 1950s and early 60s, when they were given undesirable discharges due to the assumption that they were “homosexual.”
Top photo: Artwork by Michael Caines.
Second photo: Sue McConnell (left) and Kristyn Weed at their 2018 StoryCorps interview in Tucson, Arizona. By Mia Warren.
Third photo: Leonard Matlovich, who appeared on the cover of Time in 1975 to challenge the military ban on gay service members.
Fourth photo: Jeri Dilno with her friend Andrea Villa in 2013 at their StoryCorps interview in San Diego, California. By Cambra Moniz-Edwards.
Fifth photo: Joseph Patton, who recorded in Santa Monica, California with StoryCorps in 2019. By Jud Esty-Kendall.
Bottom photo: Joseph Patton in 1956 when he was a member of the US Navy. Courtesy of Joseph Patton.
Released on May 21, 2019.
Like the music in this episode? Support the artists:
“Overture” by Patrick Wolf from the album Sundark and Riverlight
“Step In, Step Out” by Blue Dot Sessions from the album Crab Shack
“Watermarks” by Blue Dot Sessions from the album Crab Shack
“Untitled #9” by Yusuke Tsutsumi from the album Birds Flying in the Dark
“Cast in Wicker” by Blue Dot Sessions from the album Aeronaut
“Paloma” by Fabian Almazan and Linda Oh
This podcast is brought to you by supporters of StoryCorps, an independently funded nonprofit organization, and is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.