During its inaugural year in 2024, Jorden Michael joined StoryCorps’ Brightness in Black initiative. The initiative focuses on training in asset-framed storytelling—an approach to narrative and archival collection that prioritizes strengths and triumphs—for students attending Historically Black Colleges and Universities.
We asked Jorden, originally from Philadelphia, about his experiences and why he continued his commitment to StoryCorps’ mission by joining our Mobile Tour team!
What has it meant to go from a fellow to working for the Mobile Tour?
Transitioning from a fellow to a team member on the Mobile Tour has been both humbling and affirming. As a fellow, I was introduced to the heart of StoryCorps’ mission, centered around empathy, listening, and storytelling. Now, working on the Mobile Tour, I get to actively contribute to that mission in real time, across communities. It’s deepened my understanding of how stories connect people, and it’s challenged me to grow in ways I didn’t anticipate—both personally and professionally. It also means a lot to continue building relationships within an organization that truly values the voices and experiences of everyday people.
What does StoryCorps’ work to preserve stories mean to you?
StoryCorps’ commitment to preserving stories—especially those that often go unheard—is powerful. To me, it means creating a historical archive rooted in humanity rather than power. These stories become a mirror for who we are and a blueprint for who we can become. As someone passionate about storytelling and community, I see it as a form of resistance, healing, and remembrance. It’s about ensuring that generations from now, people will still hear the truths, laughter, struggles, and love of those who came before them.
Where do you hope the next five years entail for you while on your storytelling journey?
In the next five years, I hope to continue growing as a filmmaker, telling stories that center overlooked voices, challenge dominant narratives, and explore the complexity of urban life in America. My journey isn’t just about creating films; it’s about building spaces where younger creatives, especially those from underrepresented communities, can see themselves reflected and supported. I want to develop platforms and projects that not only share powerful stories but also provide mentorship, access, and opportunity. Storytelling, for me, is a tool for transformation, and I’m committed to using it to both express my vision and uplift others as they find theirs.
What do you wish people knew about asset-framed storytelling?
I wish more people understood that asset-framed storytelling isn’t about ignoring struggle—it’s about honoring humanity first. It means leading with people’s aspirations, strengths, and resilience rather than defining them by their hardships. When we only focus on what’s broken, we limit how individuals and communities are seen—and how they see themselves. Asset-framed storytelling allows us to tell fuller, more dignified narratives that invite empathy, not pity. It’s a practice of respect, and a powerful way to shift culture, perception, and ultimately, possibility.